Dear Aspiring Actor,

I will be holding a one-day, live and in-person, intensive using my unique method acting approach – Timoney Method®.

The class will be an acting packed day.

I will show you how to learn lines the correct way, completely enter into the mind of a character, overcome any performance nerves and anxieties and take your creative impulses. You will work on short scenes called, études, with a fellow students to learn this process.

You will also learn:

• The secret acting technique developed in Russia a hundred years ago that the KGB didn’t want you to know about
• The scientific way to consistently deliver emotion on demand, even if you have the emotional range of a sociopath
• How to learn lines so they are fresh and new every time you say them. HINT: Most actors learn lines in an incorrect manner
• The seduction technique that all great actors use to make the audience fall in love with them
• The four personality types that are attracted to acting. Two are perfect for acting, and the other two should never even consider becoming actors. All will be revealed!
• The unconscious high wire acting trick done without a safety net
• The secret to revealing the unspoken truths between the lines of a script
• How to unlock the natural flow of your physical instrument (i.e. your body) to physicalise the character
• A process to forget yourself and act unconsciously
• How to immerse yourself entirely in the character, so that you see through their eyes.
• An exercise to deal with mental and physical tension that can destroy your performance
• How to end the struggle and pain of self-conscious acting
• A technique that will allow you to accumulate the inner-life of the character
• How to physically express the character
• The concept of giving in to the character
• How to ‘Green Light’ your impulses
• How to quieten the chitter-chatter of your ‘actor’ mind and descend into the depths of the character
• The correct and most effective way to learn lines
• A way to avoid fakery and imitation
• How to prevent forcing emotions and experiences
• How to internalise the character’s life
• Using your breath to enter into a relationship with other characters and objects around you
• Creating emotion on demand